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George Copeland Ault (1891-1948)
View from Brooklyn, 1927
Oil on canvas
18 1/4 x 21 1/2 inches
Signed, dated, and inscribed (lower left): G. C. Ault 27

Leon Bibel (1913-1995)
Machine Cog, c. 1936
Brush and pen and ink on card stock
With the estate ink stamp, verso
12 x 9 1/2 inches

Oscar Bluemner (1867-1938)
Tars, Azlo "Flach" Soho Fat Mill, 1920
Watercolor on paper
3 7/8 x 5 inches

Oscar Bluemner (1867-1938)
Red Building with Statue, c. 1920's
Watercolor and gouache on paper
5 1/16 x 6 7/8 inches

Ralston Crawford (1906-1978)
Overseas Highway, 1940
Color lithograph
Edition: 25
12 1/2 x 19 1/8 inches
Signed, dated and numbered in pencil.

Stuart Davis (1894-1964)
Barber Shop Chord, 1931
Lithograph
Signed in pencil.
Edition: 25
13 3/4 x 18 3/4 inches
Cole and Myers 14

Stuart Davis (1894-1964)
Sixth Avenue El, 1931
Lithograph
Edition 25
Signed in pencil
11 7/8 x 17 7/8 inches
Cole 15

Stuart Davis (1894-1964)
Detail Study for Cliché, 1957
Lithograph printed in colors on wove paper
Unsigned proof aside from edition of 40
Image: 12 5/8 x 14 7/8 inches
Sheet: 15 3/4 x 18 1/8 inches

Stuart Davis (1894-1964)
Theatre on the Beach, 1931
Lithograph
Signed and inscribed in pencil
11 x 15 inches

Earl Horter (1881-1940)
Townscape
Watercolor
Signed bottom right: E. Horter
13 ½ x 10 ¾ inches (image), 16 ½ x 14 ½ (paper)

Blanche Lazzell (1878-1956)
Red Amaryllis, 1941
White line color woodcut
Recorded impressions: 2
Signed, titled, and dated in ink
14 1/16 x 12 1/16 inches

Blanche Lazzell (1878-1956)
The Town Home, 1928
White line color woodcut
Edition: 7
Signed, dated, and titled in pencil
12 x 14 inches

Louis Lozowick (1892-1973)
Minneapolis, 1925
Lithograph
11 11/16 x 9 inches
Edition: 20
Signed, dated, and numbered in pencil
Flint 5

John Marin (1872-1953)
Brooklyn Bridge , No. 6 (Swaying), 1913
Etching.
Published by Alfred Stieglitz, 291 Gallery
10 3/4 x 8 7/8 inches
Zigrosser 112.

John Marin (1872-1953)
Woolworth Building, No. 2, 1913
Etching with drypoint
Published by Alfred Stieglitz, 291 Gallery
13 x 10 1/2 inches
Zigrosser 114.

Jan Matulka (1890-1972)
Arrangement - New York, c. 1925
Lithograph
Signed in pencil
13 3/8 x 16 1/2 inches
Flint 32

Charles Sheeler (1883-1965)
Architectural Cadence, 1954
Screenprint in colors
7 3/4 x 10 inches
Signed and dated in pencil
Edition 100
Tipped, as issued, into the catalouge Sheeler: A Retrospective Exhibition, Los Angeles
Gordon 6

Charles Sheeler (1883-1965)
Ephrata, c. 1934
Tempera on gessoed panel
3 5/8 x 4 3/4 inches

Charles Sheeler (1883-1965)
Roses, 1924
Lithograph
Signed in pencil
Edition: 35
16 1/16 x 11 5/8 inches

Charles Sheeler (1883-1965)
Delmonico Building, 1926
Lithograph.
9 3/4 x 6 11/16 inches
Edition: c. 50
Signed and titled in pencil.

Niles Spencer (1893-1952)
White Factory, 1928
Lithograph
10 1/2 x 14 inches
Signed, inscribed, and numbered in pencil
Edition of 20

Benton M. Spruance (1904-1967)
Arrangement for Drums, 1941
Lithograph.
Edition: 30.
Signed in pencil.
9 3/8 x 14 1/2 inches.
Fine & Looney 191.

Max Weber
Head of a Man, 1919
Woodcut in colors
On buff fibrous Japan
Signed in pencil
Image: 4 1/8 x 1 7/8 inches, sheet 9 1/4 x 6 1/2 inches
Rubenstein C.1.

Max Weber
Seated Figure, 1919-20
Woodcut in colors
On thin laid Japan
Signed in pencil
Image: 4 1/8 x 2 inches, sheet: 8 7/8 x 6 inches
Rubenstein 16

William Zorach (1887-1966)
The Island, 1916
Color linocut with unique inking
6 3/8 x 8 3/4 inches
Signed and dated lower right

William Zorach (1887-1966)
The Swimmer, 1915
Unique hand-colored linocut
Signed in pencil
9 5/8 x 5 1/2 inches (image)